Showing posts with label Hamlet. Show all posts
Showing posts with label Hamlet. Show all posts

Tuesday, March 20, 2012

STRAIGHT to the HEART

Gay marriage: oh dear, oh lor’, how did this become the issue of the hour? The world appears to have divided itself into two camps and I find myself in neither. Nor do I truly understand either. One strikes me as vindictive, proscriptive, oppressive and presumptuous, the other wrong-headed, unrealistic, provocative and equally presumptuous. Leave me out, please.

Here’s what I bring to the table. I was raised an only child in a household that paid unexamined lip service to the Church of England but never set foot in a church except on high days and holidays. For a brief time ahead of adolescence, I became fervently religious, joined the Bible Reading Fellowship and read a passage of scripture every day before going to sleep. Within a very few weeks of my confirmation, it dawned on me that the whole of religion was supernatural superstition and a dangerous and wicked confidence trick, eagerly taken up by the ruling class as a means of keeping the masses in their place on the promise of jam tomorrow. My take on it has not fundamentally altered since then, though I hope I now express it in more sophisticated terms.

Long before my five minutes of mystical romanticism, I knew that I looked at boys in a significantly different way from how I looked at girls. But there was no roadmap for finding one’s way across this treacherous terrain. To be “queer” – then strictly a term of abuse – was to be an outlaw and an outcast. Those public figures who were widely understood to be “queers” – Godfrey Winn, Beverley Nichols, Somerset Maugham, John Gielgud – shared a certain demeanour that was apt to repel a small boy who wanted to be accepted and approved.

Nichols, Winn, Maugham, Gielgud

Like most of my gay contemporaries, I tried to be straight because I didn’t want to go to jail or be spurned by my family and friends or be unable to get a job or be obliged to live in a twilight world (whatever one of those was). I certainly didn’t want to make my mark on the culture by being interviewed in silhouette on television, sounding defeated and desperate.

I was twenty years old before the law was changed and sexual acts between men were permitted in certain relatively limited situations. By then I was well used to being and feeling an outlaw and this context for my sexuality doubtless coloured my attitudes to everything else in my life.

A change in law does not immediately change society and it took time for me fully to reconcile myself to what and who I was and to feel confident and self-possessed enough to reveal that to others. Relationships with men who embraced their freedom more instinctively than I could, along with the gradual dawning of the gay liberation movement, swept me along. Within seven or eight years of the law changing, I was beginning to feel able to present myself as “a gay man” – still a relatively new phrase – though the instinct to cling to a safety net of being “really” bisexual still lingered.

Once I was “out” – another new and bracing notion – as a journalist addressing a public readership, there was no going back. And perhaps the sensation of burning bridges was the most liberating ingredient of all. In the heady days of the Gay Liberation Front and the first Gay Pride marches – I can still picture the face of the skinhead denouncing us from the pavement and my chum Richard demanding “did you see what just called me ‘scum’?” – we began to discuss every aspect of what it meant to be a gay man; we knew from the outset that we didn’t dare speak for lesbians, especially the ferocious sisters who designated themselves “lesbian separatists”.

And on one thing we were very clear. We didn’t want marriage. It was an article of faith that we had no intention of aping the straight world, its requirements and conventions, its rituals and charades. We were forging new ways of conducting relationships, so we were never going to model ourselves on how our parents negotiated their respective territory. Our relationships – if indeed we even tolerated anything remotely resembling “a relationship” – were going to be open and permissive and equal and progressive. And we certainly weren’t about to pay any attention to what we were told to do by notionally monogamous vicars and their Catholic equivalents who were expected to be virgins.

The original GLF badge

The painfully slow embrace of each other by the gay community and the larger society has evidently required and has indeed achieved adjustments on both sides. David Cameron’s famous line at conference last year – “I don’t support gay marriage in spite of being a Conservative. I support gay marriage because I am a Conservative” – was widely seen as an impeccably liberal, enlightened stance.

I’m not so sure. I think the key word for Cameron in that sentence is not “gay” but “marriage”. And it revives my own instincts of forty years ago to maintain a healthy mistrust of straight society’s wish to bring us into the fold, draw our teeth and turn us into well-behaved little conservatives, big C and small. With Groucho Marx, “I don’t care to belong to any club that will have me as a member”.

In the present dispensation, the Cameron Tories are in advance of the thinking of the church hierarchies, but perhaps only because they live more in the real world. After all, the Tory Party, the Anglican Church and the Catholic Church would all grind to a halt if their gay members left en masse, whatever the official line might be.

All three institutions have their share of unreconstructed reactionaries who think that they make an unanswerable case by loudly proclaiming that marriage between a man and a woman is “natural” and any other kind of union is not. Of course, marriage is merely an ancient social convention, with no equivalent among any other natural orders of living creatures. Some fauna mate for life, most don’t, and some – whisper it – go in for same-sex action.

A GLF publication

Nature is hardly a reliable guide for anything much at all. The “natural” brigade do not stop to think that it is wholly unnatural for humans to fly, yet most of them do it routinely and have done so for a century. And what is natural about playing golf, watching the telly, getting drunk, riding to hounds, sending emails, counting one’s money, learning the cello, mounting a picket line or indeed getting down on one’s knees and parroting responses when a man in a dog collar asks his flock to do so? What to you is not “natural” –- by which you mean acceptable – is second nature to me.

Those who hold the institution of marriage in something approaching reverence conveniently ignore how it may be used as a weapon of oppression against those weakened by it – battered wives, for instance, or abused children – or how it may provide a smokescreen behind which all manner of shenanigans may obtain, not least the sham or convenience marriage. Moreover, marriage is not in itself any guarantee of a lasting union, even when entered into in good faith. Monarchists prate self-importantly about the example and stability of the royal family as if it were not rather more dysfunctional than the general run of commoner families, three of Her Majesty’s four children having been through divorce.

But then those of us who spurn marriage might think it, with Hamlet, “a custom/More honoured in the breach than the observance”. Herein lies my suspicion of those lesbians and gay men who demand the right to marriage. I no more want to join a club that until very recently didn’t want me as a member than I do a club that now says I am welcome.

If it’s the supposed security of being formally recognised as half of a couple that is desired, well, I find that civil partnership fulfils such a function admirably. It gives the partner pretty much the same legal, social and financial rights that a spouse enjoys. My own partner and I could see the advantages of signing up for this piece of societal recognition and did so in the first months of its availability. But we won’t be getting married.

Scotland's first civil partnership ceremony

Why indeed do any LGBT people wish to have a wedding, whether civil or religious? Maybe for some it is the excuse for a party or, more specifically, a celebration, but you could have that without any formal proceedings. Pace David Furnish and Elton John, our civil partnership ceremony was the quietest and most private we were permitted: just two statutory witnesses and no “wedding breakfast”. We told no one else until afterwards. Of course the downside was that there were hardly any presents, but old crocks like us are hard to buy for at the best of times.

For those who indulge in mumbo-jumbo, trying to get organised orders of superstition to throw away the preferred readings of age-old texts is bound to cause trouble, if not schism. The Church of England has been tottering for years now, poised to split on the issue of gay rights. The appointment of Rowan Williams’ successor as Archbishop of Canterbury will be more minutely examined for what it tells us about the church’s future attitude to gay marriage than for any other signs.

Not my problem, but I think my fellow gays should favour society’s recognition of their sexuality over any concessions grudgingly clawed from Synod. After all, it makes little sense to subscribe voluntarily to an enterprise that has plenty of ancient regulations set down and widely known, and then decide that you can’t “be yourself” if you don’t get the regulations changed. For that walking contradiction “the gay Christian”, it is the Christianity, not the being gay, that is the problem.

So I cannot find in my heart any empathy for those who want to eat their cake and have it too, who want to be accepted and free in their sexuality in a community that is fundamentally homophobic, right down to its written constitution.

Of course, same-sex relationships are no easier than any other kind

But if those who yearn to be embraced by their enemy are the uneatable (in Wilde’s formulation), those who hound them are the unspeakable. I feel a particular enmity towards one of the ringleaders of the backbench backwoodsmen whose notion of a debating point is characteristically to direct such ad hominem observations as “claptrap” against those who advocate and support marriage for gay people. He is an ugly piece of work called Peter Bone. Heterosexual men like to affect that their deepest fear is that gay men will try to molest them, but I can reassure Mr Bone that he raises no boner in the gay community.

Since 2005, Mr Bonehead – oh tsk, tsk, I must guard against joining him in the gutter of personal abuse – has been the MP for Wellingborough, the Northamptonshire town in which I grew up. I also enjoyed my inaugural sexual experiences in the constituency that Mr Bone now represents so diligently. If you wonder whether those experiences were homosexual or heterosexual, I give you Gore Vidal’s answer: “I was too polite to ask”.

P Bone telling the Commons that the coalition's determination to allow same-sex marriage is "completely nuts"

Wellingborough is not quite the first place to which I would direct anyone seeking enlightenment, especially in the sphere of sexuality. It is not a community comparable to Amsterdam or San Francisco, Berlin or even Brighton. On a sign announcing the town’s imminence on one’s route, a local wag has obliterated five of the middle letters of its name so that it reads “Well ….. rough”. It’s not a wholly unearned notion.

When I was no’but a lad (as people are more apt to say well to the north of Northants), Wellingborough was a quiet, modest town of some 25,000 souls, supporting a cattle market, five cinemas, a tiny zoo, a range of individual enterprises and a thriving boot and shoe industry. All that has changed. In the 1960s, the place was chosen as a major overspill town to accommodate people transferred from London and, in the coming decades, a further expansion will push the population well over 60,000. Perhaps the newcomers will prove more liberal in their attitudes than Peter Bone can imagine. For aught I know, there may even be actual queers living in the constituency right now.

Wednesday, March 11, 2009

The FACE that LAUNCHED a THOUSAND PROFESSORSHIPS

The facial image of Shakespeare has been a matter of intense conjecture since his very lifetime, when of course there was no television and no press daily to convey his presence to a curious populace. The latest claimant to the role of authentic, definitive likeness of the great man is the shining morning face of the portrait known as The Cobbe. Until now it has been in private hands, those of the Cobbe family (hence its identification). Now, after extensive further research, it emerges to offer itself to the public gaze. It’s a lovely image, almost as seductive as the fabulous portrait of John Donne by an equally unknown hand, to the saving-for-the-nation of which I contributed rather recklessly three years ago when we had more money to throw around.


But is it the real thing? Professor Stanley Wells believes so but he does have a vested interest in the portrait being a major draw for he chairs the Shakespeare Birthplace Trust, which august body will, from Shakespeare’s next birthday onwards, host an exhibition of which the Cobbe will be the centrepiece. Other experts are less sanguine, not least those based at the National Portrait Gallery where a really beguiling show entitled 'Searching for Shakespeare' was mounted some seven years ago.

Naturally enough, the playwright anticipated all this. “I have heard of your paintings too, well enough” Hamlet tells Ophelia. “God hath given you one face, and you make yourselves another” (III.i.150). The prince was of course speaking of women’s makeup but the remark will, with only gentle distortion, serve to suggest its author’s abiding prescience.

The simultaneous unveiling of the foundations of the first playhouse to have staged Shakespeare’s work is less controversial and more objectively significant if lacking the romantic appeal of the portrait issue. Known simply as The Theatre, the site is in Shoreditch. The playhouse that stood on the site was constructed by James Burbage, father of Shakespeare’s close associate Richard. Perhaps the major dig that will start twelve months hence and close Blackfriars station (which is to be rebuilt and its Thameslink connection upgraded) will yield some trace of the long sought theatre built over the grounds of the Dominican monastery that gave the area its name. This was another construction of Burbage Sr. Shakespeare was a founding shareholder in that project but its repertoire was largely devoted to the younger Jacobean playwrights.

All this is bracing stuff but what we really need is the supreme playwright here among us now, plying his trade. What a subject he would find in Zimbabwe. The power struggle between ZANU-PF and the MDC-T yields nothing in drama and blood to the ancient British history that Shakespeare found in Holinshed’s Chronicles. In Macbeth, Duncan says of the original Thane of Cawdor, discovered at the play’s outset to be traitorous: “There’s no art/To find the mind’s construction in the face./He was a gentleman on whom I built/An absolute trust” (I.iv.12). The next stage direction is the favourite in the canon of my old English master James Hasler: “Enter Macbeth”. He’s right: it should be a wonderful moment of theatrical irony and premonition but I have never seen a production – and I have seen tens if not dozens – that made anything much of it.

Those who supported Robert Mugabe’s assumption of the premiership of what was then still Southern Rhodesia in 1980 might well feel that they failed to find his mind’s construction. The last ten years of Mugabe’s presidency have provided a textbook demonstration of absolute power corrupting absolutely. But the last twelve months have seen a change, though it is still too early to be sure whether it presages an unravelling of Mugabe’s power. And how far is Mugabe engaged in a deep game of quadruple bluff? He is, after all, one of the great Machiavels on the modern world stage.

This week has provided fantastic material. What playwright wouldn’t surrender a limb to write that scene when the Mugabes visited Morgan Tsvangirai in hospital after the apparent accident that killed Susan Tsvangirai. The president uttered various pious sentiments – he is, of course, a devout Catholic as could be guessed from his taste for conspicuous consumption and his hobby of having people killed – and Grace Mugabe wept gracious tears of a crocodile nature. The first lady, though not the intellectual equal of Lady Macbeth, makes a terrific study in hypocritical harpiedom. Then yesterday there was Mrs Tsvangirai’s funeral at which the president spoke, striking a note that the innocent might hear as conciliatory, even fraternal. For his part, the bereaved prime minister has stamped on speculation that the supposed accident was suspicious, despite the number of road collisions that have conveniently eliminated enemies of ZANU-PF over the years. What’s he up to? The MDC-T has nonetheless commissioned an independent enquiry into the incident.

There is terrific scope for Shakespearean drama in these events. One is bound to imagine that the end of Mugabe’s rule will be occasioned by his death of natural causes rather than by some Zimbabwean equivalent of Birnan Wood being come to Dunsinane (and I have not heard any suggestion that Mr Tsvangirai was from his mother's womb untimely ripped). Even so, the monologues, duologues, crowd scenes and set pieces would flow thick and fast. The Tragicall Historie of Mugabeth: who’s going to write it if not Shakespeare?

Tuesday, May 29, 2007

ARE WE ALL MAD?

The Guardian today (May 29th) seems packed with straws in the wind, small examples of how disordered the world has become. A woman appointed by the Polish government to guard the rights of children has accused a British television import, The Teletubbies, of “homosexual propaganda”. Evidently one of these fabric creatures that entertain toddlers carries “a lady’s purse” even though he’s “a boy”. I imagined they were sexless fantasies but there you go.

Quite how insisting on gender stereotypes helps to protect children escapes me. And how exactly is the term “propaganda” being used here? If a “boy” carries a “purse” without it exciting comment among his peers, what is that propagandising for? Tolerance? I do wonder what this busybody is doing to protect the rights of Poland’s children who are themselves homosexual.

Skipping west to Holland, we find the latest gruesome entry in the base world known jocularly as “reality television”. A terminally ill woman is to choose which of three patients who are waiting for transplants should receive her kidneys when she dies – which she presumably will do during the programme. Needless to say, viewers will be invited to offer their own opinions, medically qualified as they all so clearly are. What a sweet idea! I wish I’d been a fly on the wall when they pitched that to the programme commissioner. And what’s next? A mother choosing which of ten homeless drug addicts should get to fuck her six year-old daughter? Why not? Admit it, you’d watch that.

In Brighton, police have backed off from their stated intention to apprehend all those taking part in a mass bicycle ride on June 8th and 9th to publicise climate change and other similarly important causes. “Why pick on cyclists?” I hear you cry. Ah, but all these are going to cycle naked. I don’t understand this spreading desire to fling your clothes off and join a crowd. The great majority of people look even worse unclothed than they do clothed. And the very least a mass of naked cyclists is likely to do is to cause a snarl-up. So I do think the police should move them on. And is there an offence of riding a bicycle naked while in possession of an erection, I wonder?

Back in the wacky world of the goggle box, our own dear Channel 4 has been fending off justly outraged attacks on its plan to screen footage shot at the Diana, Princess of Wales death-crash site in Paris. C4’s spokespeople are downplaying the explicit nature of the images but there is no justification for revisiting this story in any form, however mindful of public and private sensibilities the channel claims to be. Guardian columnist Michele Hanson quotes Channel 4 – presumably from a written press release – as referring to “a genuine public interest”. I guess this is as opposed to the mendacious claims for public interest that are usually cited as justification for an otherwise morally bankrupt programme idea. What the channel really means is that it expects to catch viewing figures comparable with those for Ugly Betty. I commend to them my reality television notion alluded to above. There’d be genuine public interest in that, as there would be in relays of dog-fighting, public executions and hard core porn. Its genuineness could be measured in the ratings figures.

Channel 4 is in a bad place just now. It is a bit like a football team that is sliding towards the relegation zone with everybody saying that the manager is a wally. C4’s chief executive is one “Andy” Duncan. Yes, he does sound like a presenter of children’s programmes, doesn’t he? If only he dressed like one. Mr Duncan wears “informal” attire rather than the suit and tie traditionally favoured by television executives. This really is a grave mistake, a palpably misapplied attempt to present himself as a free spirit. A certain amount of sport was had at the expense of President Bush recently when he appeared as shifty as a bird-dog in full evening dress to entertain HM the Queen, unimaginably the very first formal dinner of his presidency. Your impression that Bush is just playing at being a public figure was once again confirmed in spades. Mr Duncan ought to pay attention and notice how important dress codes are when you’re in a position of power (as he surely is).

If he presented himself like Hamlet, as “the glass of fashion and the mould of form”, that would be just dandy. Tragically, Mr Duncan appears to amass his wardrobe at Asda. He is not just casually dressed, he is cheaply, shoddily, crappily dressed. Not surprisingly, he gives the impression that he looks unimpressive because he is unimpressive. He must get mistaken for a second assistant director twenty times a day. C4’s founding father was Sir Jeremy Isaacs, an elegant, forceful, charismatic character who always had a ready answer delivered with wit and punch. He looked the part. It is as though the job has finally passed down to the boy in the post room.

Andrew Duncan – I refuse to pander to his meretricious demotic – used to be head of marketing at the BBC. Well, there’s a surprise. No, I mean it. How could someone who looks as though he just popped out to check the barbecue before the arrival of the guests he met in an internet chat-room land so influential a position in the present market-led broadcasting ecosystem (to revive a notion Peter Fiddick coined back in the 1970s)? Now, what with the ham-fisted handling of the Big Brother crisis – and make no mistake, this was a crisis – and the easily dropped ball of the Princess of Wales programme, Duncan is increasingly exposed for what he is, an over-promoted lightweight.

Oh yes, gentle reader, we live in disordered times. And what shall we do about it?